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    Top 10 Typography Books

    January 25, 2016 by ProfK 7 Comments

    I compiled this list of my favorite books about typography, from the perspective of one who teaches the subject. I first wrote it in the summer of 2009 when I was preparing to teach a Typography 2 class, updating my bibliography list, and thinking about which books are must-haves and/or classics. Now I’m updating it again after revisiting some material. I suspect I’ll continue to update it every few years… 🙂

    The Elements of Typographic Style

    by Robert Bringhurst

    This is a comprehensive book that should be on every designer’s shelf. An expert typographer and an eloquent writer, Bringhurst has given us a gift that Herman Zapf hopes will become the “Typographers’ Bible.” Bringhurst’s language is refreshing, intelligent, and poetic:

    Typography is the craft of endowing human language with a durable visual form, and thus with an independent existence. Its heartwood is calligraphy….”

    Robert Bringhurst

    My favorite section of the book is the chapter on “Shaping the Page”, where he discusses organic, mechanical, and musical proportions in grid structures. Included is the golden section, which I found mesmerizing.

     

    Thinking With Type

    by Ellen Lupton

    I like the focus of this book, which is to learn how to THINK with type. That is, how to communicate a message visually using type as an equal partner with images. It accomplishes this goal with engaging history, clear explanations of terminology, and plenty of visual examples. The study sequence of letter, word, then text is accompanied with exercises and projects that help you explore, experiment, and examine all kinds of possibilities. This gem is my current required text for beginner students of typography, replacing my former favorite Design With Type, by Carl Dair (see below).

     

    Lessons in Typography

    by Jim Krause

    As an educator, I am fortunate to be able to review books as potential required or recommended texts for classes I teach. I learned of Lessons in Typography through a publisher’s email about the Creative Core series. The subtitle piqued my interest (“Must-know typographic principles presented through lessons, exercises, and examples”), so I asked for a review copy: I am so glad I did. For me, it is the perfect companion to Thinking With Type. My students love hands-on learning using the computer, and this book gave me lots of in-class exercises and several tutorials that are fun and challenging.

     

    Stop Stealing Sheep & Find Out How Type Works

    by Erik Speikermann & E.M. Ginger

    This is another great introduction to typography, with humor and informality that keep students entertained and informed. Explained well, using layperson’s language.

     

    Just My Type: A Book About Fonts

    by Simon Garfield

    I know a lot about type history, and now I know even more after reading this book. Beginning with the early history of moveable type, Garfield takes us on a journey to the present with wit and enthusiasm. It’s written like a mystery novel, weaving stories about different fonts and their origins. Interesting facts, curiosities, and motivations about the type designers are revealed. We learn about Helvetica and Arial, and how they each became ubiquitous. We discover some unsavory aspects of Eric Gill’s personality. The selection of Gotham for the Obama presidential campaign is discussed. Garfield celebrates the typography in our contemporary lives by humanizing it and helping us understand how and why fonts elicit emotions and reactions.

     

    Design With Type

    by Carl Dair

    In my Typography I classes, this used to be a required text. Sadly, it is no longer in print. If you can get your hands on it in the library or a reasonably priced used version, go for it. Its clear content is valuable as a foundation for teaching beginning students. Dair examines the basic components of type, type relationships (his explanation of the 7 dimensions of concord/contrast is excellent), space, and hierarchy. Throughout, he treats type as design material and provides ample examples of imaginative typography. The hardcover edition won several major design awards and was one of the “Fifty Books of the Year 1967” selected by the AIGA.

     

    Designing with Type

    by James Craig

    One of the best introductions to typography, I used it in my earlier Typography I classes for several years. Beginning with a brief history of the alphabet & typography, it also covers basic type measurements (point size, leading, line length, font, wordspacing, etc.), type families and samples, design considerations, and simple grids. Some of the content in my 3rd edition is outdated, but perhaps more recent editions have made appropriate revisions.

    Ellen Lupton describes Craig’s book as a utilitarian classic, “a handyman’s guide to basic typography.”

     

    Geometry of Design: Studies in Proportion and Composition

    by Kimberly Elam

    I was hooked the moment I read this sentence:

    Within the context of the man-made environment and the natural world there is a documented human cognitive preference for golden section proportions throughout recorded history…”

    Kimberly Elam

    The book has a wonderful mix of great writing and fascinating examples of the Golden Section, Divine Proportion, and the Fibonacci Sequence. Can you tell that I once aspired to be a math teacher? The underlying grid structures of designs are illustrated via vellum overlays. I found myself smiling a lot as I read this book.

     

    The Poster Art of A. M. Cassandre

    by Brown & Reinhold

    I am a huge fan of Cassandre and would recommend studying his typography and posters to all graphic designers. His posters have become iconic symbols of the effective use of sans serif type, dramatic contrast in scale, geometric proportions, readability, and humor. He contributed greatly to an era when posters were a popular mode of advertising, and his work continues to inspire. You will probably be able to find this book in a library or borrow it from a colleague.

     

    The New Typography

    by Tschichold, McLean, & Kinross

    Jan Tschichold was a leader in the “new” Swiss school of typography, which continued to influence designers for decades. Today, his approach may be considered rigid, yet it still informs and reminds us of the importance of white space and simple, clean layouts.

     

    Honorable Mentions

    Here are other great books that I think are worthy of a spot on a designer’s bookshelf.

    Cool Type

    by Drate, Salavetz, & Smith

    Once you’ve learned the rules of typography, it’s time to explore how to break them. This book helped me do just that when I was a student, and I still enjoy looking at it for ideas and inspiration. There’s a nice range of styles and pushing the edge.

     

    The Precision Type Font Reference Guide

    by Levell, Newman, & Newman

    An all-inclusive, printed guide of fonts.

     

    Typewise

    by Kit Hinrichs (and Pentagram)

    Any list of typography books would be remiss without including Kit Hinrichs, a partner with Pentagram Design since 1986. He has received many honors, notably the AIGA Medal, and is widely recognized as one of the premier designers in the U.S. The partner list at Pentagram reads like a “Who’s Who” in innovative, creative designers. Paula Scher once came to speak at Mass. College of Art & Design (my alma mater), and I was blown away. This book is only one of their many offerings to be inspired by, so if you can’t find it for sale, go with another Pentagram-penned book.

     

    What are your favorite books?

    Now it’s your turn! There are many great books out there.  Tell us what your favorites are. Thanks very much!

     

    Related Posts

    Design Students’ Favorite Websites – Fall 2013
    Choosing the Correct Font Format
    Walter Kopec: You Can’t Make This Stuff Up

    Filed Under: Graphic Design, Teaching, Typography Tagged With: fonts, Golden Section, grids, type, Typography

    Reader Interactions

    Comments

    1. Colin Owens says

      July 28, 2009 at 7:22 pm

      I appreciate Bringhurst’s book at the #1 position.

      Eric Gill’s “An Essay on Typography” must qualify in the top ten surely?

    2. Hugh Rutledge says

      July 29, 2009 at 9:36 am

      The golden proportion quote is very interesting. In the math series we just finished, we spent a considerable amount of time trying to verify the statement and found that we couldn’t. Golden proportions are extremely interesting, but human preference for them seems ambiguous.

      I am very interested in the geometric approach to understanding typography though, despite any reservations about the sentence.

    3. askdesign says

      July 29, 2009 at 9:50 am

      The Golden Section is fascinating to me. Elam documents the human preference and substantiates her claim by showing examples throughout the book: Stonehenge, architecture, art, human/animal/plant proportions, etc.

      Which math series did you recently work on?

    4. Allison Geoffroy says

      August 14, 2009 at 4:03 pm

      While reviewing my courses for this fall at Lasell College, I noticed that you are going to be our new professor for Typography. I am a senior this year, and typography is one of my favorite aspects of graphic design. I really look forward to your class and learning from you! Just thought I would say hello.

    5. Brian Kolstad says

      May 16, 2012 at 4:34 pm

      Jim Williams has a new book out called “Type Matters!,” and it’s a wonderful primer. I’m using it as a supplemental text in my Principles of Design 1 class at Lewis-Clark State College.

    6. Cat Normoyle says

      May 26, 2012 at 6:32 pm

      I’ve got to add Ellen Lupton’s Thinking with Type!!! This book is great for beginner typography students as well as advanced designers. I use the book along with the website resource http://www.thinkingwithtype.com

    7. Alexandra Ruby says

      January 25, 2023 at 1:05 pm

      As a typographic designer, this article was so helpful. These books are very interesting and easy to read. Thank you for sharing.

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