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    Painting Weekend at Omega

    August 10, 2010 by ProfK 7 Comments

    This past weekend was the first time all summer that I’ve been able to paint for an entire day. I treated myself to some R&R at Omega Institute, in Rhinebeck, NY. It took 4 hours to drive there from Boston; not bad, considering the traffic backup we encountered around Springfield. After arriving in the early afternoon, I was able to scope out possible painting spots so that I could start bright and early the next morning.

    Morning at the Lake

    The last time I came here (in 2006), I spent an entire day painting at the lake (see my SHOP, or go directly to the 2 paintings from that day: Omega Morning and Omega Afternoon). I returned to the Lake to relive some of that perfect summer day, and I was greeted by the same quiet, restful beauty. This is the nearly-complete painting from that morning:

    Omega Lake

    Omega Lake

    Mary’s Farm in the Afternoon

    I’ve come to Omega a few times and have always been enamored with a farmhouse about a quarter of a mile down the road. On this trip, I brought my relatively new easel and I was excited about the views it would afford me. After lunch, I packed my equipment into my Art Comber, and walked down to the farm. There were several people busily fixing a truck when I arrived. I approached them with a casual wave and introduced myself, telling them how much I like their farm and asking if it would be OK to paint it. A woman with short blond hair and a friendly smile said, “You mean paint a picture?”

    “Yes, that’s right.”

    “Well, sure, go knock yourself out!”

    As I set myself up underneath a large tree, sheltered by its calming shade, I breathed in the pine and gave thanks to the day. Quickly, the hens came to visit. I don’t think I’ve ever been that close to hens! The horses watched me for a short while. The black cat sauntered over for a back rub and chin scratch. I then became part of the scenery and painted.

    After an hour or so, the blond woman came walking towards me saying, “I thought you might like some cold water before you wilt in this heat.” She handed me a bottle of water, and we began to chat. Her name is Mary, and she’s the owner of this fine farm. It’s 250 years old, and in excellent condition. I’ll send Mary a picture of the painting when it’s finished, but here it is in its early stage, still needing lots of work:

    Mary's Farm

    Mary’s Farm


    Challenges at the Sanctuary

    The Sanctuary at Omega is tucked into the side of a hill. It is quite lovely. One entry takes you on a boardwalk between 2 lily ponds, with a small fountain on one side. There are peepers sitting on the edge of the pond, and they are adorable. This is where I spent my last morning painting.

    The morning was a bit chilly, so I was wearing blue jeans. After I set up my easel and started to paint, the sun rose above the tree tops and I began to realize that I had not chosen my spot with this in mind. It got hotter and hotter. I didn’t want to move, because I was locked into my blissful “scene”, but I was not feeling very blissful.

    An hour into the painting, I realized that I was also struggling with the composition. There was a candle situated on a pile of stones that I felt was juxtaposed nicely with the lily pads. Yet, here I was drawing and re-drawing those straight edges that kept looking stranger and stranger. Finally, I stopped and took a deep breath. Exhale: ahhhhhh! “Get rid of those stones!” I said aloud. With the exhilaration of artistic license, I painted water over those stones and they disappeared.

    Ironic that I would be so challenged painting at a Sanctuary!

    I’m still not entirely sure about what to do with the background, but for now, I have a painting that I can enjoy finishing in the comfort of my backyard:

    Omega Sanctuary

    Omega Sanctuary

    Realignment

    Overall, it was a fantastic weekend. Perfect weather and a good balance of solitude and socializing. The cumulative effects of painting all day are very therapeutic for me. It’s a mixture of tiredness, satisfaction, and peacefulness. Painting is my meditation.

    Filed Under: Art, Inspiration, Process Tagged With: en plein air, Omega Institute, painting, pastel

    Reader Interactions

    Comments

    1. Linda Novick says

      August 11, 2010 at 12:31 am

      Hi Anne,
      Thanks for sharing this with me. I’m so excited by your work, but moreso by the way you say that painting is your meditation!

      Right on sister. Keep doing it. Love to see your work.

      P and Y in the Berks begins this Sunday night, and I have 16 participants. I a so excited.
      Love,
      Linda

    2. askdesign says

      August 11, 2010 at 1:56 pm

      Hi Linda,
      My heart will be with you and those 16 lucky souls as you paint and laugh and do yoga in the Berks! Namaste and, of course,
      ommmmmmmmmmmmmmmm,
      hugs and love, Anne

    3. Teddy Ramsden says

      August 25, 2010 at 12:28 am

      Beautiful work, Anne. I especially liked how you shared your process in the last painting of the lily ponds, as you turned straight-edged stones into softening water. That’s called problem-solving in art therapy. And you listened to your inner guide. The word “freedom” is coming to me about this painting experience. You freed yourself that day at Omega.
      I love the lily pond painting. May you apply your success with this painting to any current aspects of your life that feel sharp in any way right now and need smoothing. May everything, even the hard parts, flow like water into where everything is meant to be, and may you continue to find and celebrate the beauty of life, of nature, and of each moment, stay in touch with joy, and keep the faith while you keep smoothing out the sharp edges.
      Love, Teddy

    4. askdesign says

      August 25, 2010 at 1:53 pm

      Teddy, your response to is so interesting and thoughtful. I made some of those connections consciously, like listening to my inner guide when I changed the stones into water. Freedom is what I most often feel when I paint. But I didn’t think about the analogy of smoothing out any sharp edges in my life: how insightful!
      thank you for sharing, Anne

    5. Tina Addison says

      August 26, 2010 at 10:27 pm

      Dearest and longest friend Anne:

      Just got back from Egypt about a week ago, hit the airport landing field and have not stopped yet. Work begged me to be there for the next 3 weeks full time. Yick!

      I felt my pulse slow and my anxiety level drop as I read your blog. I was at the cape for 2 weeks before Egypt and spent several days on my deck overlooking Paine’s Creek in Brewster. You will be so proud of me. I did two paintings in my new favorite medium…. pastel. Thanks for the lesson. Now I need 100 more!

      Will call you in October to begin my cook book. I really want to set it up to be a fund raiser for food pantries. Maybe Ellen or Oprah want to interview me on their shows? How grandiose of me!

      Love and kisses,
      Tina

    6. askdesign says

      August 26, 2010 at 11:00 pm

      Hi Tina,
      What a treat to hear from you, a comment on my blog no less! You are right: I am so proud of you!!! I can’t wait to see your recent paintings. Take a picture and send it. So, you love pastels? AWESOME!

      I finished the painting started that morning we spent at Stony Brook Audubon Sanctuary http://www.massaudubon.org/Nature_Connection/Sanctuaries/Stony_Brook/index.php
      I’ll post a picture of it for you on my blog.

      I LOVE the idea of your cookbook being a fundraiser for food pantries. We can talk about design & production whenever you are ready. I am looking forward to working with you on it.

      love ‘n hugs to you dear friend, Anne

    7. JI HYANG says

      August 27, 2010 at 2:13 am

      lovely!

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